Showing posts with label Summer. Show all posts
Showing posts with label Summer. Show all posts

Wednesday, October 16

OuttaDaGate - Kayak Scramble

A salty inlet • June, 2019
Trigger warning... This tiny essay may distress a swath of readers. Sorry.

Pre-teen boys racing. Families yelping. Girls ready for the next heat. Hot-June summer morning. Squinch your eyes so color streaks against salty air and life is giggling, screaming, joy-filled fun. This is the sort of image these kids will access from their memory storage bins 20, 30, 60 years from now.

As winds of age scour my memories, well... So will I but... um... well... maybe next year?

So we're in an election cycle right now and so many of the candidates seem determined to paint things with an "awful" brush. They explain how we're neck deep in a dystopian pool of cess. Not to worry, they've got plans, strategies, policies that will drain away some of the stinky shit that's stained everything. And yet... Boys and girls play in the sun... colored streaks against salty air and life's giggling, screaming, exciting fun.

Hyperbole's selling all sorts of contention. But that image up there's not grabbed from some legend of a distant time. Unless we've already forgotten the summer that's right now turning to the dazzle of kids wallowing in piles of jewel-colored leaves. Uh-huh there are places where things aren't as charming... I know that. And I confront that in every news story streaming across my monitor.

But maybe... just maybe... a footrace, a ball game, a kayak scramble, a young couple swinging their hands ought to, just on some rare occasion, come out of the media gate?

GEEK STUFF: Canon 7D Mk. II through its EFS 70-300mm f/4-5.6 IS USM lens. I'd switched on follow-focus spotted on the boat. Post processed in PSCC 2019 to expand the dynamic range then finished in both Topaz Impression together with Alien Skin's Snap Art 4. Oh, Alien Skin's changed their name to Exposure Software.

Wednesday, February 27

Patagonia 5: Puerto Chacabuco - Soft Scrapple


For details, click on any image...
It's 291 nautical miles from Montt to our second
stop at  Chacabuco south through the Golf of Corcovado.
It's about a day and a half by ship between the red pins.
Puerto Chacabuco is a relatively new port city. In 1991 a savage wilderness fire and the eruption of nearby Mount Hudson volcano silted the Aisén river and blocked access to Puerto Aisén which caused the construction of a new port in the sleepy village of Chacabuco some 10 miles south of Aisén. Transition's fattening up Chacabuco and its population of 1,243. 

However, the town's location along the far side of the Aisén river is magnificent. 

At sunrise on Tuesday 1/22/19 we awoke to this view from our balcony on the
ship's port side with Chacabuco visible (below) from the starboard.
Daytime temperatures dropped about fifteen degrees, on average from Santiago mid-day 90 degrees to Puerto Montt and another ten degrees in Puerto Chacabuco. The town's weather is wet much of the year, but in mid-summer-January that still left us wearing heavy jackets over long sleeves in the port's morning which we ditched by late afternoon.

Joe & Mary Mayberry, Gib & Marti Armstrong and
 my wife Rita model Chacabuco January mid-summer fashions.
BTW, that's our Norwegian  Sun anchored to the right.

On the other side of the river from the image above, Chacabuco sits
 in a river valley and is beginning to sprawl as a result of
its replacement of Aisén in 1991 as the region's major port. 

And what's to do in Chacabuco? Well, just about nothing. So we engaged an old VW bus-like ride to visit the new National Simpson River Park.

As you can see, the topography is rugged and mountainous.
Our bus had an ancient low gear which left us expecting to push.
The trip did reveal the life style of people living along rural Route 240 as well as structures in both Chacabuco and Aisén.


Generally the people are NOT poor. Rather they live in tidy, secure, and comfortable structures in a rocky countryside dotted by small livestock farms. NOTE the canted metal roofs in all of the structures above. Why? Tons of snow of course. Note also the lack of foundation shrubbery which is always destroyed by the collapse of snow upon them from those roofs. This is a challenging place in winter.

 The last President of Chilé kicked off an expensive (and not overwhelmingly popular) series of national parks. One of the newest is the Parque National Rio Simpson. Which features, well, some wild flowers and the Simpson River. 

The Simpson's a nice mountain river, and well, ho-hum. Perhaps if you are a Saudi
this is inspiring. And certainly to fly fishers it's inspirational. I'm neither. Seen one river,
seen 'em all? Well no, but this one is pretty average even within its mountainous setting.

The trip up to the park though wound cooly through valleys alongside a rushing stream fed by waterfalls dropping from the peaked walls of the old Pioneer Trail.

Note, just to the right of the base of the lower waterfall. See the guy? I left him there 
to put the height of these glacial fed falls in perspective. Rain  returned as  I teetered
atop the two-lane highway bridge's  railing to grab this shot above the stream. 
In the very center of the port sits Radio Chacabuco there on the right. It was hidden behind a few downtrodden  
shops but worth the effort. See the dirt road? What you can't see well in this painting without blowing it up is the line of new  construction there between the mountain base and the field at the road's end. 
A Levittown development's happening there with perhaps a hundred homes going up. Chacapuco's about to change as its expanding port juices economic activity. This image captures the transition right before it happens. And, of course it's just the painting to bring country life to a chi-chi Santiago, New York, Lancaster, Atlanta, or Viennese up-market condo, right?


Chacabuco caused one of us to wonder if this is where you flee to escape the rest of the world. Near-antarctic winters are intense and even the summer's are challenging. But the farms and port apparently create jobs and incomes sufficient to live snugly with the weather, volcanos, and earthquakes. It's not hard scrapple, no... but definitely soft scrapple. 









Tuesday, July 3

Pennsylvania Barn Series 6

Catching up time... Thought I'd stylize these a bit... Explanation in the GEEK STUFF below


Here's the Southern Side... Or a northern view of the barn. There's a large parking lot off to the left rear with room for overflow under construction behind the fence to the right. You'll recall that there are two distinctive details to the Pennsylvania Barn. I discussed the overlay or overhang back in Series 7, well this is the other side where the construction is banked to allow ground access to the upper floor where we find those glassed access doors enter into...

This is a monster space capable of holding 750 people for parties, meetings, and weddings.This image covers only the eastern half - note how the room's constructed to allow north and south light avoiding the glare of morning and afternoon sun.  Hmmmm... and  I guess it might also host funerals? One could hold the funeral downstairs then come up here to join the family for drinks and luncheon. Or... maybe not, depends if they'll all have to caravan to a cemetery. Heck, if it's a cremation or an Irish wake, they can bring the urn and/or the coffin right on up to join in the celebration of life.

I'm really lit but that circular staircase, it's a woodworker's art! Again, everything is red oak without nails... Instead holes are drilled then wooden pegs are glued into boards. There's a loft upstairs but I wonder if gowned-women will negotiate that staircase. They've installed professionally lit makeup bays off the the left corner above with a huge-multi sinked bathroom to the right rear. There's also an ice box to keep the champaign chilled. There are lots of USB ports and charging stations along with blue tooth speakers to play favorite music from the bride's cellphone. The TV screen is on the wall behind me where I think that beyond full cable options, they've added CCTV to watch the guests arrange and congregate in the Great Room and on the grounds around the lake.


What's good for the geese is great for the ganders. Here's a fully equipped man-cave with broadcast, movie, and sports channels. There are also blue tooth speakers to allow groom to play loud music (the room's soundproofed. There's planned CCTV to watch the guests arrive, and a game box under the TV with controllers on the couch. Of course there are abundant USB outlets and charging stations. The wet bar is part of fully equipped kitchette and that's a large changing room/bathroom in the right corner. 

GEEK STUFF: Unfortunately I had to resort to paintings for these last two images since I was invited to capture the exterior at sunrise and consequently did not tote along indoor lighting. Bummer. These are all multi image panos stitched together from hand-held Canon 7D images then processed with various tools. 



Monday, June 20

Summer Along James River

Summer afternoon along the James River at Palmetto Bluffs, SC

It was wet heat in Beaufort County for our 2016 June stay on Hilton Head Island. You know, the sort of heat that sops clothes like dish rags. It was so chronic you felt a bit chilly when the temp dropped below 95. But then, Hilton Head's in deep Dixie and built atop a mostly drained swamp along the Atlantic's Low Country. This was the heart of the Confederacy where, in my great-grandparents' time the most belligerent of slavery's proponents once lived. In 1850, according to a historic marker in the county seat, this region had 1,111 white people and 8,361 slaves occupying 151 plantations. Cotton was king. 

The James river mixes into the ocean about 5 miles to the southeast from where I found this image so it's tidal at this point. With Charleston to its north and Savannah to the south, Beaufort county's inches above sea level... And well down into reptile and mosquito level. Thinking about this land's people some 150 years ago means imagining a time before air-conditioning. Which is the high tech that finally disrupted how this summer wet-heat went unchallenged. 

For two weeks we largely lived like space travelers on Mars... Locked by choking hot days inside of cooled-air bubbles. I tried bike riding only twice, but even at sunrise - the humidity was so thick that downhill felt like uphill. 

It's not that Dixie's summer days are lazy. No, self defense vacationers tour the place within cars that whisk them between cool bubbles. Down there autos aren't designed so much aerodynamically as they are thermodynamically. Once, decades ago, a southerner criticized me for living where heating costs were so high in winter. He implied that Yankees were energy wasteful. And yet I'm thinking that the electric costs of summer A/C inside of those old high ceiling southern buildings must compete with my gas heat, no? Isn't electric always the most expensive way to do HVAC over the course of a year? 

Ahhhhh well. Southern summer scenes are gorgeously pretty and seem to be accompanied by a deep low voice quietly signing, "Ole man river... Dat ole man river..." And as I scurried back to my car's A/C I wondered just how much fuel, there in the 100 degree plus sun, it took a man to tote that barge and lift that bail... 

Geek Stuff: Took the reference shots with a Canon EF-S 10-22mm (f3.5-4.5) screwed to my 7D. A lot of processing later I'd finally prepared the images for AlienSkin's SnapArt to create this languid late afternoon oil painting into capture the searing sun's glare. As you can see, I try not to use a lens shade and seek opportunities to let the light flare across glass and my wide angle's got a lot of glass surface to attract sunlight. 

Tuesday, September 22

Ordinary Late Summer Afternoon




8 Blocks From City Center • Lancaster, PA • September 2015

There are still dirt streets in Lancaster. This scene's unchanged since these small carriage houses were mildly converted for autos in the early 1920s, Here's where middle class working people keep vehicles. That's what this is. What it isn't is any sort of formal garden or the rigorous creation of inspired architects. But isn't it beautiful?

Once again, it's the ordinary detritus of humans. There's no graffiti here, nor is there any garbage or trash strewn about. The buildings are coated in protective paint. the vegetation's manicured by use. Yet isn't it beautiful? 

This is a public alleyway where I bike occasionally. Anyone can abuse it. They don't. Why? Because neighbors won't allow it. Users won't allow it. Is it policed? Uh-huh, but not by the police. Is it secure? Uh-huh, but not by security forces. Conscience is an endoskeleton. Police are an exoskeleton, along with schools, courts, legislators, and churches. The more a society shares one internal culture the less any of the institutions police from outside.  Political "freedom" is checked internally or externally. Freedom - in every useful way- is what culture allows. 

Culture trumps everything. 

The charm of this summer moment is the result of what conscience won't allow. It's what a stone looks like when the ugly stuff gets sculpted away. Isn't it beautiful? 




Saturday, September 12

What's the Magic?

Nauset Light (1877) • Cape Cod, MA
Nauset Light (1877), Barnstable, Mass, Cape Cod - United States

Once upon a time, - boys and girls - Nauset Light was a key part of the Global Positioning System. And from 1877 on,  if you were near Barnstable on the North Atlantic at night... it was a part of the Cape Cod 8-lighthouse Positioning System.

Today's GPS is a disruptive tech. It made this cone at daybreak only pretty. It's been decommissioned and the keeper's house was given, along with the light, to a preservation society.

It's one of the East Coast's least photographed lights, and hard to find sitting smack in the middle of a neighborhood of cottages that grew around it.

Now, here's the question... Why the hell do we feel driven to make images of these things? They were public utilities. So are dumpsters and fire hydrants. Have you got many dumpster/hydrant pix? Okay, maybe it's a supply/demand thing? Not as many lighthouses around... Does that explain it? If that's the reason, well then why don't we picture every old bridge? Or municipal hall? Or ... you get the, um, picture, right?

And yet... yet... I don't care what sort of art you're into, you gotta' admit that the itch to do something with a lighthouse tingles-right? What's the magic?

Here's what late summer looks like in Nauset through my Canon 7D's  EFS 70-300mm lens after I poke and sculpt it in PS4. And here's why people buy homes on Cape Cod and others travel so far to vacation here, or on the nearby islands. For a quarter of a century we lived in New England... And even thirty years later, as I sit here in Lancaster County tonight... I feel its tug.

BTW... How's this look on your monitor? Too dark?

Saturday, June 20

Swan... Um... Egret Lake

Okay, I stalked her. Poked my 300mm lens through the leaves to her secret spot across the lagoon. She preened and primped... Maybe unaware of me... Maybe figuring the water was wide enough to keep a lurking human an easy take-off away.

They call ponds and lakes, lagoons in Sea Pines Plantation on Hilton Head island where South Carolina - almost Georgia - summer wetted down the air. If you're outdoors, southern seacoast's grow humidity thicker than the syrup folks pour over breakfast grits. And the heat keeps the air hotter than the bikinis make their beaches.

It's where lots of gin mixes with even more tonic as afternoons commit muscles to low gear. It's when the smarter birds find secret spot to digest their morning breakfasts and recharge for a twilight wade back into the lagoons, oh... and into wherever people were stupid enough to stock coy ponds.


So that gal up there wasn't about to let me get her to do anything unladylike. Which is why I'd mistaken her glowing-white body for a swan and figured that I'd be able to create a post called, "Swan Lake". Wrong... It's actually "Egret Lagoon" where the big birds prowl among alligators for fun and profit.

And so, realizing the story wasn't about swans I figured I'd find me an egret at work in the marshes to work into a painting that captured an impression of both the bird, its hunting, and the POP! of southern American summer color.

A day or so after I invaded the privacy of that beauty up above... I found this guy working his way slow as suitor on a first date toward his prize. And once again my Canon 7D's EFS 70-300mm f/4-5.6 IS USM Lens did its job. Which is a capture that I couldn't have made years ago without a tripod. But the combination of image stabilizers and the camera's processors let me grab tight hold of the moment. Which, thanks to a lot of PhotoShop processing combined with the melding of a number of layers of AlienSkin's SnapArt filtering and texturing, I was able to make my concept visual.

Hot, huh? 

Monday, June 15

Don't Tease 'Em!

Along Hilton Head bike trails...


Saturday, June 13

Summer's Started

Down in Hilton Head, SC last week. Summer comes to Dixie with an early muscle, especially in the Low Country... along the the Atlantic Coast. Hilton Head Island's shaped like a running shoe and we stay very near it's flat instep. Once a bog, it's flat and canal-irrigated to draw the brackish water back to the sea. If the ground's not everywhere as damp as once-upon-a-time the air's still wetter than a stoop-laborer's back And twice as thick. Mid-day's are for beaches, pools, and air-conditioned spots cluttered with books and adult beverages.

Bike Shed

Out back we store ... Well, have you noticed that the word "shed" is double entendre? As a noun, it's a place where we keep stuff. As a verb it's the act of discarding. A bike shed sort of promises both of those things. And this flat island teases you into believing that you'll shed the vacation belt-lime baggage if you''ll peddle your bike from the shed. Getit? In a way, nothing says island summer like this lazy morning image of those backsides poking out and teasing me to wrap my fat legs around their fat saddles. And yeah, why not, huh?

Jungle Glade

To circle the jungle between me and the sea. And the way it dares me to leave the bike and wander trails that wind somewhere. Which I almost did except a snake rolled and wriggled out of those leaves there to the lower right and coiled blink-fast onto the trail and then off into that underbrush. So much for the dare... Back to the biking... When, just to my right,  I heard water plop down from the bike-path's bank and jerking around I saw...

Primordial Lurk

this thing and peddled like hell away, parked, and tip-toed back, my Canon 7D with it's 70-300mm lens cranked all the way out. Through which... I watched it, it watched me, I focused, shot, and backed way up. After gasping a bunch, I went back and kept shooting while it lay there watching, only its eyes flicked, the rest of that body flat... still... cocked... and stinking up the thick swampy air. You know the word, fetid? Yeah, now imagine this thing's breath and you've got a match.

Night Watch

Oh yeah... Wildlife thinking reminds me that I probably forgot to post this wild herd I captured in Uganda's Queen Elizabeth Park. Okay, that was last summer and there are crocs, not gators in Africa so the segue's kind of hard to explain. Hmmmm... But these pix are all summery, right? RIGHT! So it's a theme :-)









Sunday, May 4

Young Man's Fancy

Spring's popped
In Lancaster.
It's when young
Men turn
Their thoughts
To climbing
Way high and
Looking down…

Why izzat?





Canon 7D, Canon EFS 70-300mm f/4-5.6 IS USM Lens cranked all the way out and opened all the way up. PP in PS4, Topaz Adjust, and AlienSkin Oil Paint. In the middle between those two tools, there were many layers of adjustment and sniggering around with the dynamic range. 

The boys climbed a large wall around Musser Park's entrance in the very heart of the city of Lancaster's historic district, maybe fifty yards from my front door. Not shabby, eh? 


Sunday, September 2

Summer Brideg

<- Click here

"What''ll it be when I grow up?"
The boy wondered as he hugged to the bridge.
"What's over there waiting?" he thought.
"What's on that side of the life's oddly shaped ridge?"

Did he want to go, he wondered?
Did he need to leave this summer place?
"Can't I stay here feeling a while?
Can't I just hold onto this glowing-soft space?"

Summer sprays its indelible inks
Upon memories of the moments we clung
To our first sense of the coming span of time
and the soft-warm moment of feeling so young.



Thursday, August 16

Just Off Nantucket

<- Click here

From boat-deck.
August, Summer, Hot, Night.






Canon, 7D, Canon EFS 17-85 (f4-5.6), PS4: AlienSkin: SnapArt3, Impasto, custom brushes.


Sunday, July 15

Crayon New York City °1


In high July color
Bubbles and melts.
Like flamed-plastic toys.
Like feeling-seared film.

I walked through New York’s mid-day tropics… Storing stuff in my memory-bin that’s marked Summer In The City. I found new image puddles – left out in the noon-day sun – that melted right over those I’d stored in that bin before. These new ones were like casings to harden around stacked feelings that burble and glow when I poke around for memories of city summer.

Crayoned Impressionism: Canon 7D, Canon EFS 17-85mm (f4-5.6), PS4: Two square details carved from a 3 panel vertical pano, Topaz Adjustment, AlienSkinExposure 4: Color Films - Polaroid/faded-darkened, Snap Art3: Crayon. Custom spot-applied color shift adjustment layers, original created to be printed at 30" X 60".


Tuesday, July 3

4th of July '12: Moods


Don't know where I want to go with this... First I thought, "Why not show this girl like... well, here?



But then she seemed happier, like this.

.. So.... Wuddaya think? Low key? High key? You got any key preferences?

See, the deal is, I'm diddling with mood. It's astonishing how the key... the chord... changes feeling, eh? So musical. Right?


Took this out in the garden in the early morning light with my Canon 7D. Used the Canon 17-85 EFS zoom lens and manually focused close up in its macro mode. But the fun came in processing. See, I walked out front onto the Lancaster City street and grabbed a way-out-of-focus shot down the sidewalk through the tree canopy toward the oncoming traffic which now switches on headlights in daytime.

Okay... I used that street scene as a filter layer... see the bokeh in blue? Those are the auto lights. Right... Topaz's Adjustment let me play with various strengthening effects, and I masked them in at key spots to emphasize different textures and shadowings. Of course I adjusted the dynamic range throughout thanks to the latitude which RAW images allow. AlienSkin's Exposure 4 came next... and again, I employed a bunch of different adjustments on different PS4 layers, masking them into the various crags and crooks of the flower's body. Finally a curves adjustment layer let me paint in shadowy depth.

Of course the process varied in each of these images so that in the first image low key could be explored and high key emphasized in the other. Even though I'd intended to conceptualize the extremes of mood, it's still wonderful to discover so many unexpected alternatives during the processing.

In fact, there's no such thing anymore as "post-processing" from the moment of conception, through collecting images, into the computer exploration... it is now all just "processing". How many tools we've got as visual artists today! What a wonderful time, huh?




Wednesday, January 18

Paradise Panels

<- Click here
What is the difference
Between picturing
A truck and
Pondering
Truckiness?

And if something
Is trucky yet just
Pieces of
Things that are
Trucky-like
Have we then
Merely pondered
Trucks?

The truck ruins sit garaged, or barned in a place nearby to Paradise, Lancaster County, Pennsylvania. And since I found it in parts… it seemed best displayed… in panels, huh?

great big

Canon G10, PS4, Topaz Adjust 5, Custom photo-pop brushes and texture screens.

Sunday, October 23

Technicolor Sunrise

Click here-->
The mosquitos were big as birds as the sun rose over Chatham beach here on Cape Cod... Well, that's how they felt. The buggers seemed to hit like bean bags as they drilled into me. I'd been out of my car maybe four minutes as I grabbed at this pano then dashed back ahead of the snarling swarm. I still can't decide if they resented my arrival or welcomed it like a hungry lion herd felt when they stumbled upon a lonely wildebeest. I think I've left less blood behind when I've donated the stuff at the hospital.

Anywayzzzz.... you can see from the virgin images which I tugged into this pano below that the photos could have used more time for color balancing, even straightening, huh? What's more the Coast Guard station there in Chatham (the Atlantic Ocean's on the other side of that dune the building sits upon) was way small thanks to the perspective of my wide angle lens. So, how to create a powerful image that didn't look enhanced?

Well, first off I stripped away the blue and warmed everything up by color balancing the image with the curves tool, then added a warming color filter layer that I first blocked then brushed into the appropriate areas. Then I teased the building larger and moved it a tad leftward to honor the rule of thirds. It took a bit of time to hide the seams from both that move, that enlargement and of course the lines where PS merged the three pano panes. If I'd had more time, I'd have balanced the three original exposures more carefully when I took them but those bugs were spattering off my body and worse... attacking my eyes. EEEEEEP!

Then there was the straightening problem. So I used the ruler tool and aligned the roof line to vertical, bringing the entire frame into balance. After that came the relative dynamic ranges needed to balance the lower half of the image with the sky. All done with adjustment layers of course. Additional adjustment layers allowed me to brush back in the highlights in the grasses so they both sparkled and pulled the eye toward the building.

What I was after was a classic sunrise image where the enhancements, while considerable, were invisible. Did it happen? Does the final image at the top create the illusion of authenticity? Hope so... One of the reasons I enjoy enahced phtographic art is that the tools let me reveal what my feelings want to find in an image. And sometimes create ImageFiction. Which of course is the um, clever name of this blogsite, right? :-)

Cannon 7D, Canon EF-S 10-22mm (f3.5-4.5) Handheld three panel pano. PS4.

Saturday, August 20

His Eyes

<- Click here

Hot day
Fresh air
Fresher…
Gaze.

Izmir, Turkey
Canon EOS 7D,Canon EF-S17-185mm, f/5.4, 1/160, ISO 400, PS4

Sunday, August 14

Turkey Notes - Istanbul Morning

<- Click here
The morning call
Echoes from
Mosque to mosque.
A soprano melody
Along the city bustle
Melody line.

I took notes – with my Canon. Jotting onto FlashCards: my feelings. And of course in Istanbul, you feel the morning pull you awake. Is the city always sunny? dunno... but we never saw rainy clouds in July anywhere in the country. Of course it was mid summer and it was hot. Surprisingly there were palm trees in Istanbul. Since it sits at about the same latitude as Lancaster, we were told that the weather was comparable. But a palm tree would freeze its coconuts off here in the Red Rose city. Maybe it's because Istanbul pokes into both the Black Sea and the Med that it's warmer in winter? Anyone know?

Notice the buses in this scene. Istanbul has a spectacular public transit grid of mixed buses trolleys and light rail together with a bustling taxi and limo industry. The things are crowded at all hours. SRO... But with maybe 19 million people living in the city, a tad of crowding is expected, huh?

Last point... I tried to make this, at least in part, about the neighborhood mosque where the Imam chants/sings the morning call to prayer. And that is an interesting point. It was explained that while Turkey is a secular nation without a state church, the government does erect mosques and hires the imams who I suppose are sensitive to the um... sensitivities... of the interests of the place from which their checks come? Dunno, but it's an interesting arrangement.Actually the prayer call coming from the loud speakers on most minarets is a peaceful background sound, much like the peeling of church bells.

Istanbul, Turkey – Monday morning
Canon 7D, PS4: pano stitch, custom brushes, filters, Topaz, Alien Skin: SnapArt: Impasto, Custom textures.

Friday, July 29

Back From Turkey

<- Click here
Golden…
The morning.
Constantine might
Recognize his city
As his church turns
Golden.

Just back… from ten days straddling two continents..

The Hagia Sophia
Istanbul, Turkey
From the roof of the Ramada hotel
Canon 7D: PS4, Topaz, AlienSkin: SnapArt, Oil Paint, custom filters, textures, and brushes.

Okay... after writing all of that Andreas Manessinger broke it to me that this is NOT the Hagia Sophia but in fact it's the Yeni Camii or New Mosque. The Hagia Sophia - Constantine's fifth Century cathedral is yet to come.

Which brings me to...

<- Click here

Carved or released?
The houses of Mardin
Pop from their stone
Cool beneath
The broiling
Sun…

There is in Istanbul the world’s largest minature park – or park of minatures…
Miniaturk, Istanbul, Turkey
Canon 7D, PS4: Custom brushes, textures, Topaz2, AlienSkin: SnapArt, colored pencil, Bokeh 2, Planar.

Sunday, July 3

A REAL Photograph?


Click On The Image

It’s called by some
The Simple Life
What the Amish have.

On a Summer day
Riding Lancaster’s
Backroad farmland hills

I wonder if simple
Captures what it means
To live here like this?

Hmmm… Some have wondered if I still take “pictures”? I’m guessing they mean, photographs? In fact friends wonder if I can still take pictures? Okay… here are the basics, right? It looks like a picture, a photo… um… don’t you think? Of course, nothing is reeeeely as it looks, is it? :-)

Near Blue Ball, Lancaster County, Pennsylvania
Canon G10, PS4 (pano w/image merge 4 wide-angle pans), custom brushes

NOTE Okay... maybe I did move the barn, um, into the image, uh, along with its cow and pasture. But... but.. it's still a picture, right? And well, perhaps there were only a few of those orange flowers snapping open, but.. but.. well, there should have been more, huh? And yeah, the skyline could have been messed up with a few inconvenient buildings off in the distance. Well who has an appetitie for inconvenience anyway? Not me... nope. But... but... except for those tiny details and a tad of romanticizing the dynamic range and color palette... HEY... basically it's a photograph, huh?