Tuesday, May 5


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Emery DeWitt sat in my painting studio, the north light of late April streaming across his face. Unfortunately the light held for only about four hours at a sitting so I had to work fast. Even so we had to schedule seven dates to let me block in enough that I could fill it the rest of the way without him. Oil painting's so tedious and, I don't care what they say, it's an unforgiving medium if you lack a clear intent from the start. I've found that "a better idea" really isn't possible with a portrait since spontanaeity isn't, as they say, in the oils.

Heh.. heh.. heh...

Yeah, there was a time that the portraitist did all of that as his subject struggled to hold a pose, hour upon hour. In this case Emery sat across from me at lunch in Café Chuckles while I showed him my new Canon G10, the company's top of the line point-and-click camera. "What the hell," I figured, "why not point and click?" So I did at 1600 ISO. This evening I did the color balancing, adjusted the dynamic range and enhanced the sharpness and shadows in PhotoShop before working the image through AlienSkin's SnapArt filter. I took about ninety minutes for the entire process... far longer than it probably needed, but I wanted to capture Emery's animation and wonderful personality, just so... Y'know?

You oughta' see this puppy blown up to 10"X10"... it ROCKS! I can only imagine how it would look say three feet on a side printed on canvas. Woof! Anybody feel like shelling out a couple of bucks to find
out? :-)

1 comment:

a passion 'n frames said...

outstanding and I love the richness of the blues in this... delightful as always Mr Wizard