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Photography is acutely sensitive to gesture. I look for it, emphasize it wherever possible. Not just human, or animal gesture. Culture can gesture. History can gesture. Feelings.... feelings can gesture more than anything else.
Here's a man who stood in that halfworld that exists in the city. Have you ever noticed that space by the ocean's edge that's half covered by tide and half not depending on the clock? Cities are that way around the mouths of buildings. During some hours people and things tumble out onto stairwells, porches, entranceways, porticoes, alleys, and entranceways. Technically people are outside since there's nothing really between them and the open air. Yet they're still within, under, atop, things that are parts of buildings.
Those places pull at my camera lens, and later at my imagination. People there are like the hermit crabs who move into the shells of others. Many simply stay there. They're not passing out, or into a facility but holding a place in that antechamber. During certain hours it is where the are supposed to be, then during other hours, like the tide... they are gone.
Interested in the virgin photo from my FlashCard? Here it be. Again it was taken through my mighty Canon EF 70-300mm f/4-5.6 IS USM Lens. I processed it carefully into the squares I seem to be momentarily obsessed with. In this case the bokeh belong to that terrific lens that I fired wide open (ISO 80 on my Canon 40D). In this stage I wanted a max contrast between the colors. I copied that layer and then applied my own custom version of AlienSkin's SnapArt pencil filter, bringing out the rough paper texture. Then, I used a B&W adjustment layer in PP to remove the color, added a layer above where I created a useful dark sepia tone (applying a blending mode to it) then finally I took the first adjusted full color layer, brought it to the top of the stack, and used a pinlight blending mode which I reduced in order to return the strong suggestion of a full color palette to the image - yet the pinlight blending mode allowed me to condense the color range so that it complimented yet set off my subject's gesturing.
Other stuff? Yeah, probably... subtle things around the image to bring out the most useful dynamic range so that the image will pop.
Does it work? Does for me... I wanted to discover a denizen of that city half world I described above. A man who stands in the partial shade of a building's awninged entrance way... to watch life pass by... and to comment upon it as it happens. Sort of like me, huh?